The lovely Patroclus has tagged me for a meme. This is good because, to an extent, I seem to have mislaid my mojo. There are all sorts of reasons for this and I’m not too worried about it overall, but it’s still nice to have something to focus on. I’ve got another couple pending too – including one from Mr Locker – which I will get to presently (honest). In an ideal world, this present meme would involve making a podcast but I don’t have the first idea about how to do that (tbh, I’m not even sure I know what a podcast is), so you’ll have to make do with links to …
Anyway, the idea is to list seven songs I’m particularly into at the moment. The only problem has been paring down the list. I listen to music a big lot, and I’m very subject to earworms (please say you know what I mean by that). Like Patroclus, I will throw in – free of charge – some vacuous commentary. Don’t say I’m not good to you.
This is an acoustic version and very lovely too. I’m a big fan of deceptively simple jingly jangly pop and this hits the spot. Doesn’t the bass player (Simon Gallup?) look like David Tennant? My daughter nearly fainted when I played this for her. Anyway, I’m very interested by Robert Smith – he seems to have huge talent and integrity. And his hair is a bit like mine. Really!
I remember vividly the first time I heard this one. I was living in Paris at the time. I was at a friend’s appartment in Rue Amelot. It was very late. There was a bloke I was vaguely interested in there. Maybe I was a little bit drunk. The bass line – probably Tina Weymouth – is fantastic, don’t you think? I used to have it on vinyl but I recently replaced it with a CD from Tesco – yes, I know, I know. It has a slightly world music feel to it too – although world music hadn’t been invented back in those days. Y’know, if I could have studied anything at all, money (and practicality) no object, I think i’d have done ethno-musicology. Which sort of brings me to …
This is the song I’ve got on my Myspace profile – that’s how much I like it. I’ve managed to miss seeing them twice in the last couple of years, but I have high hopes for this summer! I can’t even remember where I first heard them, but there’s something about the instrumental part that reminds me of Fairport Convention! How weird is that? Ooh – that bloke in the middle there – that’s what my hair looks like today. Well, a cross between that and Robert Smith.
Ludicrous video. Great song. It’s almost disco, isn’t it? This really dates me, of course – I don’t care. Listen to that bass line – so supple! Poor old Joe – a sad loss to British music. I saw them a couple of times – unforgettable. Is that how you spell Kasbah? Totally unrelated (but while I’m on the subject of Kasbahs), I went to Marrakech with my daughter lately – and Essaouira. It was wonderful.
Not a lot of people know this, but I originally studied music at university. I am, to all intents and purposes, the most tremendous geek. I’m very fond of minimalism, and Reich is one of my favourite composers. It was very difficult to find a clip that adequately gets over how fantastic this work is. This is made up of lots of little fragments but the whole piece is quite long and very intense. Try listening to the whole thing – really – it’s hypnotic and, I think, very uplifting.
Listen to those lyrics. Poetry, isn’t it? So tender and so Londonish. And Ray Davies has GOT to be one of the coolest men alive. I used to live in Highgate, and so did he. And I quite often used to see him walking around the village. And I’d go all wobbly and try not to look as if I was staring (which I was).
Please listen to this one, even if you don’t bother with anything else. It’s like one of those optical illusions where one minute it looks like two faces and the next it looks like a vase. You think you know this song – the original version by Outkast is great – but this is like a completely different song. If you haven’t heard of them already, the band Obadiah Parker, of which Matt Weddle is a member, is really worth getting to know. The audioclip on their Myspace is better than that Youtube link, actually, but it doesn’t have the advantage of cutting between Weddle and Andre (Ice Cool) 3000. What’s going on with the timing here, btw? Is it an 11-bar phrase? Say of 2/4 bars? Curious.
Notable ommisions: B-52s: Roam (I’m going to see them soon); Stranglers: Duchess; Bob Dylan: Boots of Spanish Leather; Couperin: Les Barricades Mysterieuses; Palestrina: Missa Papae Marcelli … gosh, I could go on and on.